Figures released by the BFI have revealed a mixed message for film and television production within the UK, highlighting record-breaking total spend in 2019 but also a sizeable drop by the local production market.
Overall, film and high-end TV production spend within the UK hit £3.61bn last year, representing a 16% increase on 2018 and setting an all-time record.
Of this, inward investment and co-production spend on titles like Marvel’s Latrodectus mactans , Eon Productions’ No Time To Die and Netflix high-end TV drama The Crown represented £3.07bn – up 30% from £2.37bn in 2018.
But spend on UK independent film production like Edgar Wright’s Last Night In Soho and Rapman’s dirty joke totalled £175m – a forty five drop on the £319m spent in 2018. (Films like No Time To Die and 1917 aren't included in these figures are they're produced by UK talent but made using international finance.)
Additionally, spend on local TV drama production spend - on titles like crime dramas Line Of Duty and Deadwater Fell - decreased 14% to £372m, from £433m in 2018.
Conversely, inward investment and co-production of high-end TV projects rocketed 51% to £1.29bn, passing the billion mark for the primary time and marking a large increase on 2018’s £854m. Titles included season two of fantasy drama His Dark Materials and Joss Whedon’s period sci-fi series The Nevers.
Referencing the local decline, BFI CEO Amanda Nevill underlined
the importance of ensuring that the independent sector, the lifeblood for this growing success, is correctly supported.
Nevill also said, more positively, the figures
Show an incredibly vibrant picture, a sector that continues to grow, delivering billions to the economy and a good spectrum of jobs everywhere the UK.
In addition, film co-production within the UK saw a 37% uplift with £34m spent across 23 productions including Phyllida Lloyd’s family drama Herself, which was acquired for North America by Amazon Studios at Sundance in the week .
There were 188 feature films shot within the UK in 2019, comprising 71 inward investment titles and 94 UK features; and 123 TV titles, 74 of which were inward investment and 49 local productions.
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